DRAWING
Jon Harrison
Jon Harrison studied painting at Birmingham School of Art 1980-83. The object of the work is to embody within the marks, gestures and recognisable imagery, ideas around experiences that go beyond the formal nature of art. It is a deliberate attempt to break the habits and restraints that come through the adoption of learned techniques, pictorial devices and formal convention in order to achieve a greater immediacy of impulse.
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The property of line, shape, colour and paint quality forged to carry specific psychological objectives is a major concern in the phrasing of a visual language appropriate to my intentions. In the painting entitled Hors-d’oeuvre Hayward Gallery (Arts Council Collection, Southbank Centre, Belvedere Road, London, Greater London, England, SE1 8XX accession number: AC 5494) two
canvases, one circular and one rectangular are juxtaposed. |
Disparate and reticent, yet seemingly embraced, they exist in symbiosis. http://www.bbc.co.uk/arts/yourpaintings/paintings/hors-doeuvre-63520
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